If I tell you that The Violence is a novel about domestic violence, about the effect of abuse on three generations—a mother, her two daughters, and their grandmother—do you picture a domestic drama? What if I tell you The Violence is also a pandemic novel? With Covid-19 still fresh and raw in Americans’ minds, with Trump reelected, a new virus called the Violence causes explosive, murderous rage at whomever is closest to the infected, often resulting in death. Finally, what if I tell you that a new version of professional wrestling plays a prominent role in the novel? What are you picturing now?
Whatever that is, whatever you have in your mind’s eye, The Violence is so much more.
The scenes of abuse are harrowing, even hard to read. There is harm and violence of every kind—physical, verbal, psychological, emotional—and Dawson never allows you to look away, or even to blink. It’s like she’s poking at an open wound. The intimacy of these scenes is extraordinary. The victims of that abuse—Chelsea Martin, her mother Patricia, her teenaged daughter Ella, and her young daughter Brooklyn—may be beaten down, but they are fighters, with hidden reserves of strength and resilience. Dawson puts these characters through the wringer. As The Violence progressed, I often found myself cheering for them, no matter how tense and hopeless the situations they found themselves in.
When it comes to describing the Violence pandemic, Dawson again excels. She’s sharply critical of the pandemic response, both the previous one and the current. After what we’ve all experienced with Covid-19, this new pandemic feels painfully real. The Violence, when it happens, is unnerving, even terrifying. Dawson is unflinching in describing it.
And the professional wrestling? Dawson has a great feel for that world, all the little details that make it seem just right. And that includes the idea that family isn’t just what you’re born into, but any group that takes you in and treats you with love and respect.
Dawson has written something truly special here. As I mentioned earlier, The Violence is often hard to read, but I think it’s also important, even essential. It releases February 1, 2022, but is available for preorder now.