I find myself, yet again, in the uncomfortable position of wanting to sing the praises of a novel without giving much of anything away. You should go into this one without knowing too much, so as not to diminish the considerable pleasures it’s sure to bring. But, I need to say something to entice you, so…
Abitha, a young widow in 1666 New England meets a demon, perhaps the devil himself. If you think you know where this is going from that brief description, think again. Slewfoot surprised me at every twist and turn. Brom has a true gift for immersing the reader in every aspect of seventeenth century Puritan life, in the culture centered around the church, in the day to day life of the colonists. He also immerses us in a much stranger, much wilder world—that of the ancient Pagan spirits that call the forest their home. Brom has an affinity for the natural world that is evident on every page.
That tension, between the ultra religious colonists and the earthy, primitive yet powerful wildfolk who roamed the land long before humans arrived, forms the backbone of Slewfoot. Brom digs down deep into the difference between good and evil, God and the devil, between slayer and protector. I found the conversation endlessly fascinating, but there’s so much more to this novel. This is no dry, boring religious exercise. Slewfoot is action packed, drenched in fire and blood. There’s mystery and magic, and in Abitha, and Slewfoot himself, Brom has created complex, layered characters I found myself rooting for. Abitha is not afraid to question the beliefs that shackle her fellow villagers. She’s tough and brave, and the transformation that caps her story arc is both surprising and, in some ways, inevitable. I also found Slewfoot’s journey of discovery, his quest to find his true nature, emotional and affecting.
It’s telling to me that, in a novel filled with godlike wild folk who have slaughtered without mercy for centuries, the biggest monsters in Slewfoot are the Puritan town fathers who use the Bible as a bludgeon, who use religion as a tool to fear-monger, to consolidate and keep power over the people they are meant to protect.
One important note: The published version of Slewfoot includes more than two dozen of Brom’s beautiful illustrations. I read this as a digital ARC which did not include the artwork. From what I’ve seen (including the front and back covers shown above), they are worth the price of admission all by themselves.