A professional hitman has one last job to do, and then he’s getting out, but it doesn’t quite go according to plan. You’ve heard this story before, right? For a lot of authors, that would be good enough. They’d write it as a high octane thriller with a formidable body count and leave it at that.
Luckily, Stephen King isn’t just any author, and Billy Summers is so much more than a cookie cutter hitman thriller. This is probably going to be my shortest review ever, because seeing what King does with this basic setup is such a pleasure, I don’t want to give, well, anything away really. Suffice to say that Billy Summers, the character, is a wholly original creation—an Iraq war veteran and decorated sniper with a moral code every bit as strong as his talent for killing. He also just might be a writer, and we get to read some of what turns out to be his own autobiography.
The other main protagonist, a young woman of extraordinary strength and resilience, is one of the most complex and fully realized female characters King has ever written. She’s joined by a rogue’s gallery of underworld bosses,underlings, and hangers-on. King has written a lot of crime fiction in recent years, and he seems at home in the shadowy world these characters move through. There’s an authenticity to all of this that feels just right.
If I’ve made it sound like Billy Summers isn’t a crime thriller, that’s on me. King ratchets up the tension, and there are plenty of bodies piled up. So yes, Billy Summers is a crime thriller, but it’s also a road novel, and a war novel, and finally a love story. King pulls off a bit of sleight of hand towards the end that’s ultimately satisfying. There’s soul searching, and hard-nosed decisions are made, and there is, at the end of it all, well-earned redemption.
I’ve tried to give you at least an idea of the novel—hopefully enough to whet your appetite. Listen, just read Billy Summers. I think this King fella is gonna be big.