Although Stephen Graham Jones has written, by my count…umm…a lot of books, I just discovered him last year via word of mouth (word of Twitter, actually). My first was Mongrels, a white trash, southern, coming-of-age werewolf novel filled with mayhem, humor, and a wholly original werewolf mythology. Then came The Only Good Indians, a horror tour de force, fiercely original, uncompromising, and easily one of my favorite novels of the year.
Now comes Night of the Mannequins, a short and deeply satisfying read about—okay, here’s the thing, this novel did not go where I thought it was going to go, one of my favorite things about it. But that means that I don’t want to really tell you what it’s about, because that would ruin the surprise. It’s about small town teenagers, a mannequin, and an innocent prank gone bad, and that’s all you’re getting. Most importantly, Night of the Mannequins is a stellar example of an unreliable narrator. I mean, Tell Tale Heart level. Seriously.
What I want to talk about instead is voice. For me, voice is what separates good, even great, writers from the writers who redefine the genres they write in. Jones is one of those writers, and he’s not a one trick pony. What I mean is, his voice varies from novel to novel, and is always perfectly calibrated to that novel. Mongrels felt like it was written in a double-wide parked somewhere in deep Texas, the words dipped in blood and fryer grease. The Only Good Indians is steeped in Native American myth and lore, with long stretches of dialogue that feel organic and real. The horror, including some first class body horror, is visceral and disturbing, and the character’s lives feel true and lived in.
Night of the Mannequins is narrated by a snarky, smart-assed teenage boy, and like those other novels, Jones nails the voice. No matter how extreme the story gets, and it gets pretty extreme, Sawyer never seems like anything other than what he is, a teenage boy making some unfortunate decisions. By grounding the novel in a believable teenage reality, Night of the Mannequins is that much more disturbing.
I know I haven’t given you a lot to go on. Just get it, okay? You won’t be sorry.