The first wallpaper border I did, which led to the others. Colored pencil.

The first wallpaper border I did, which led to the others. Colored pencil.



For several years I was the main designer for a Cleveland-based rubber art stamp company (hi Ginny!). It was a great freelance gig while it lasted. They allowed me a lot of latitude to experiment and I took advantage of it, doing original pen and ink work along with collaging 19th century public domain art in fun ways. The market for pen and ink isn’t exactly robust, so I miss this.
One of my favorites of all the pieces I’ve done, and one of the more time consuming. Reposting this because it seems appropriate given current circumstances.


Another wallpaper border, this one was also 12 feet long by 12 inches tall. Really happy with this one, as I think I achieved some nice textures and effects with the colored pencils.
I started writing my first YA novel a while back. It was challenging—I was writing in first person as a teenage girl, which as it turns out I am not and never have been. But, I have two daughters, ages 19 and 24, and I’ve been listening to them and their friends talk for years. That proved invaluable.
However, a funny thing happened several chapters in. I realized my idea would make a better TV series than a novel. I know nothing about creating a TV show, but I have an ace up my sleeve. My sister (hi Donna!) is a talent agent in Chicago who reps both actors and writers, so she was able to walk me through the process. So far I’ve written the pitch document that lays out the show—what it’s about, who the main characters are, the story arc of the first season. Next comes the show bible, then a pilot script. I’m flying blind here, but with my sister’s help, hopefully I can figure it out.
Oh, what’s the show called? Nope, I can’t tell you. It’s too good.

There was an art production studio in Cleveland that created wallpaper borders. I drew several for them—this one was 12 feet long and 12 inches tall, and I drew it full size. Colored pencil.
I had ideas for three different stories rattling around in my head for years. At one time or another I started all three, but ran out of steam a few pages in, frustrated that they just weren’t working.
As it turns out, the problem was that they weren’t meant to be three different stories, they were actually one story. I had just been seeing different parts of it. Once I twined the three threads together, there it was.
This new story, titled Rat and Roach, is humming along nicely now. It’s dark. Really dark. I haven’t written horror for awhile, and I’m really enjoying it!
Last year (2018) I participated in NaNoWriMo, which as any participant can attest is exhausting and stressful, and I will probably not do it again. But what I ended up with is a book I’m really proud of, a 9,300 word chapter book called In Search of Ancient Underwear.
This is another fantasy adventure in the vein of Trapped In Lunch Lady Land. After much poking, prodding and pruning, I started querying this summer, with fingers crossed.
What’s it about? Glad you asked!
Digger McDonald, boy archeologist of B.A.R. (Boy Archeologists Rock) and Heidi Hightower, his counterpart in G.A.R. (Girl Archeologists Rule) are criss-crossing the globe in search of history’s most important underwear. It’s a neck and neck race for underwear supremacy. Until, that is, a mysterious new player emerges, willing to do whatever it takes to beat them both. Now Digger and Heidi, with help from Digger’s little sister DeeDee, must grudgingly team up if they want to keep the world safe for boy and girl archeologists. A deadly drone in the sewers beneath Rome. A murderous robotic Mona Lisa in Paris. Radio controlled dingoes in the Australian outback. The stakes are high. Are Digger and Heidi up to the task?
The thing is, I’m considering going the self-publishing route with this one using Kindle Publishing Direct. As a graphic designer and illustrator, I know I can make it look good, but I just don’t know.
Have any thoughts on the matter, any pros/cons? Let me know!
Another writing bucket list item was to be published in Highlights Magazine. The idea of placing a story in a magazine sitting on end tables in dentist and pediatrician offices all over the world filled me with an irrational delight.
My story, Tough As Daisy, was published in 2006, and yes, it filled me with irrational delight. It was also chosen as the editors’ favorite story of the issue, which I’m very proud of.
Since publication Highlights has resold Tough As Daisy to be used for school testing, which I find very cool, and a little humbling. The graphic below came from one such publication.
I’ve also sold another story to Highlights since then, called Breakwall Bobby. Still waiting for it to appear. Watch for it next time you’re at the dentist!

Yes, I’m a packrat, which has its drawbacks. But on the plus side, I still have an embarrassing amount of my earliest, fledgling attempts at writing. Here, for your amusement, is the very first poem I ever wrote, way back in 8th grade.
THE FALLING OF THE SPADE
I woke to a dark not lit by stars, nor by candles. In fact, was not lit at all.
No shadows were cast, not a thing did I see, as if enclosed in a great hollow ball.
The bed where I lay seemed strange to my touch, not a wrinkled cotton spread.
But the finest of satins, the smoothest of silks, as if I lay in the richest man’s bed.
And then as I stretched out my cramping arms, I found I lay not in a room.
But a box, a mere trifle, perhaps two foot by six, like the closet where the maid stacks her brooms.
All of a sudden I realized the truth, and I cowered in spasms of fright.
The bedding, the box, a coffin by God, and I cried on that blackest of nights.
Soon the air was all but gone, and the last sounds that I heard.
Were the falling of the spade, and the minister’s fitful words.
As the title states, I wrote this in ninth grade. I’m resisting the urge to edit, but it’s killing me. Literally, killing me. I do see improvement from eighth grade to nine.
SAILOR ON AN ALIEN SEA
I woke to the pitch and the roll of the deck
With a rope at my neck and rough planking beneath me,
The foaming white sea spray trying to reach me,
The sky a dark yellow that whirled above me,
And two pale red suns that the sky bled and ran.
I felt a soft touch and my fingers met silk,
And a girl with no eyes took me up by the hand.
Guided by fingers that slid along railing,
Her hair whispering back to the sea wind’s lost wailing,
She led me past crewmen that bent at their oars.
With lean muscles straining and braided hair trailing,
They sliced at the water that tumbled and roared,
And each face looked up as I walked slowly past.
I was met by the stares of the eyeless, to the last.
She led to a place at the last of the oars.
I sat and took hold of the long wooden handle,
And lost myself soon in the rhythm and pull,
In the flapping of wings and the screaming of gulls,
In the slapping of water ‘gainst the barnacled hull,
In the two suns that set and the three moons that rise,
In the dark yellow sky that whirls and sighs.
I am a sailor on an alien sea.
I have only the gulls to talk to me,
I have only the wind to hold me up straight and tall,
Only my eyes to search for a shore that we never will see.
And a long ago dream that answered the call.
In tenth grade I broke the bonds of rhyme. I still want to edit the hell out of it, but I kinda like this one.
TRIPTYCH: ARMAGEDDON
1
standing on the broken summit of the hilltop
surrounded by his disciples
the mad prophet rants
feet planted in hellfire
head spinning in a fever dream
hecklers come to laugh
at the crazy eyed fool
in the death-dusted robe and the halo of pity
who is overstepping set bounds
scorn for a man who does not know the limit
the sky shatters
opening great cracks and rends in the clouds
that slowly leak in the night
the tension builds to a crescendo
disciples chanting at the insane stars
the hecklers inching back from the frenzy
the mad prophet opens his eyes
hear me
he screams at a world
that for him is coming apart at the seams
hear me
he shouts at the lost sheep
that cower about him
i am god!
a tear opens in the sky
allows passage for a searing lance
a moment later the acrid stench and the rumbling echo
the crowd slowly disperses
no praise for a pile of smoldering ash
2
now there are more
and the light in their eyes is a secret shade of madness
the hecklers scoff from hidden places
hesitant
not sure if the limits matter any more
afraid that the boundries have been forgotten
in place of the death-dusted robe
a legion of uniforms
gold buttons and blood-stained medals
the halo of pity has been thrown to the wolves
and the odds have been evened
a thousand turrets
and shafts and gleaming barrels
that catch and splinter the sun
banks and rows and bunkers and stockpiles
all poised and pointed bristling at the sky
that say
more eloquently than words
we are god!
fingers poised over buttons
punch down in save haste
all the sounds of destruction fill the air
the machineries of war
tangible grinding against intangible
the oceans shaking in their rocky basins
the hot lands coming apart
the golden gates of the kingdom crashing down
and the walls of heaven falling away
and nothing left in either place
3
a frail earthworm struggles up
through ash and rubble
and decaying layers of the past
it breaks through to the surface
stretching to full height against the pale red sky
looking about with sudden comprehension
saying in a slow, brittle voice
i am god?
there is no one left to refute it

A floral study in colored pencil.

I did several CD covers for a music company that specialized in bluegrass instrumental covers of various artists. This was for a Simon and Garfunkel collection. Colored pencil.

Cuyahoga Community College had a large collection of archival photography, and they wanted to put together a traveling exhibit of photos paired with artwork inspired by them. The photo I used was of this man sitting on a stool. The rest I built around him, based on the first lines of the Bruce Springsteen song, “Tunnel of Love”:
Fat man sitting on a little stool, takes the money from my hand while his eyes take a walk all over you.